![]() All these options can be keyframed, too, so you have a good amount of control over the animation of clips. There's also a 3D DVE tool, the equivalent of motion controls in Premiere, which allows you to set rotation, position, scale, cropping, etc. It's quite intuitive to use, so you can easily give your video a professional-looking grade. This includes a colour correction effect with a good range of options – wheels for shadows, midtones, and highlights, RGB curves, sliders for saturation, gamma, and contrast, and more. The colour correction tool has a lot of options (Image credit: Lightworks)Īll visual adjustments are collected under the VFX tab. Also, the source monitor doesn’t display waveforms for audio clips, which slows down finding the part of a track you want to use. Projects have one video track by default, and you have to go into a menu to add a new track, rather than simply dragging a clip into the space. And you simply click on multiple clips in the timeline, without having to drag or hold shift, to select and move them together.īut in other ways, it's cumbersome. This takes a little getting used to but can speed up the editing pace. When you preview a clip in the source monitor, rather than it being necessary to press keys to set input and output points, the last watched section is automatically selected. The main editing tab has a similar layout to many other programs – multi-track timeline along the bottom, project library top left, a source monitor, and a program monitor These pro-level editors can get the job done for creatives, high-end editors, and filmmakers, but LWKS offers a complete package for half the cost of Adobe Creative Cloud.Adding video clips to the timeline is simple and intuitive (Image credit: Lightworks) There will be obvious comparisons to other NLEs, including Avid at the very high end and the popular-and also free- DaVinci Resolve, along with Final Cut Pro, Premiere Pro, and VEGAS Pro. BRAW, R3D, and other formats are supported (Lightworks Pro).It’s fast and automated, which LWKS promises will save time, stress, and money. QScan, an automatic quality control system that ensures your project is ready for broadcast and up to proper standards.It is especially convenient when there are multiple post-production teams working on a project, including the editor(s), composer, VFX artist, etc. ioGates REACT allows secure, cloud-based collaboration and review of projects and footage from anywhere in the world, from the set or on location to the editor’s office.Over 1500 effects and 175 plugins to deliver professional VFX with TotalFX via their partnership with NewBlueFX.Extensive audio tools to ensure sound is mixed well and issues are resolved dialogue enhancer over 200 free sound clips from Epidemic sound perfect audio with Quick FX and more.Industry-standard editing and finishing tools that any pro can use, from YouTuber to Hollywood-level editor.Share, receive & review Credit: LWKS Details and Specs Lightworks Pro Dubbed TotalFX, there are color correction tools, filters, chroma key tools, stabilization, aloha blends, and much more. Recognizing the need to keep editors in the LWKS ecosystem, the company teamed up with NewBlueFX to give Lightworks Pro subscribers access to 1500 effects and 175 plugins. While there are excellent third-party services for content review ( Frame.io and Alteon.io, to name just two), having a service that doesn’t require a separate subscription is nice. One of the most significant additions was when the company acquired ioGates earlier this year, whose REACT is a secure and easy-to-use content review platform. And they still offer a version of Lightworks for indie creatives. Geared even more for the professional market than prosumer editors, there are plenty of features every creative needs for any type of long or short-form project. It finally made its official debut last month at IBC 2022 and added new pro-level features, such as QScan (automatic quality control) and the acquisition of ioGates REACT (cloud sharing) to make it very attractive to filmmakers and editors, while still giving the tools to the indie creatives.Īnd now LWKS has become the new editor from one of the originators of non-linear editing. In 2020, LWKS became the de facto professional NLE from Lightworks. And after a very bumpy road, the Avid competitor is back in action. Major films such as Pulp Fiction were cut with it, and legendary directors and editors, including Martin Scorsese and Thelma Schoonmaker, have used it regularly. Lightworks’ history dates back to 1989, just two years after Avid was founded. Is it time to consider changing your editor? LWKS is the pro version of the legacy NLE, Lightworks.
0 Comments
Leave a Reply. |